Post by Barrett on May 21, 2012 19:59:30 GMT -5
Use this thread to discuss your individual methods/routines/etc. for bringing a piece to life.
For me, the good ideas will come out of nowhere. Nothing good ever comes from me actively trying to come up with an idea. Sure, I'll probably come up with one or two cool scenes, but I won't have a full fledged story. I can't tell you where my story ideas come from. They hit me when I'm not expecting it. Now, that's not to say that all of these random ideas wind up as finished stories, but they do stay with me a lot longer.
Usually when I get one of these out of the blue ideas, within a couple of hours I'll just have to write some of it down. So I jot some notes down, and by doing that some new ideas will come to me, or I'll work out some kinks or inconsistencies that have already arisen.
TV is my favorite medium, so most ideas come to me as an idea for a TV series and my planning will reflect that. I often break up my ideas into parts, episodes, arcs, etc. depending on which stage of planning I'm at and how many ideas I have. However, while TV is my favorite medium consumption-wise, prose is by far my favorite to write. Once I have a lot of ideas down and I think I have a solid notion about what I want to do, then I have to look at it all and decide how I want to tell that story: through prose, or through scripted episodes. (Very rarely do I have an idea that makes me think, Oh! That'd be a great movie! I think that's just because I have a hard-on for good cliffhangers, and TV allows for more of those.)
If my answer is prose, then I start by handwriting the story. I find writing on the computer to be incredibly distracting whenever I'm first starting out. Unless it's a short story, though, I don't typically write the entire thing by hand, simply because I hate the transferring phase from paper to computer. So at some point, I do switch over and start writing via the computer.
If my answer is to do a TV series, then I tend to do more planning. With a prose piece, I'm a little more comfortable with finding my way and learning new things about the story/characters as I go. With a TV series, I like to kind of plan out the number of episodes I want to do and what I want to accomplish in each one. Pilots are exciting, but I tend to have stories with slower builds to them. I know that the good stuff won't be coming for another few episodes down the line, so I have to work hard to really make that pilot as interesting as I can. Also, I don't really do much handwriting for this option. I might map out my planning/ideas/whatnot on paper, but I pretty much just head to Celtx and start writing.
Unfortunately, a lot of my writing attempts don't make it past the second or third paragraph up there. In which case, I have notes sitting around for a story I haven't started, yet it still eats at my brain quite often.
So now it is your turn. GO!
For me, the good ideas will come out of nowhere. Nothing good ever comes from me actively trying to come up with an idea. Sure, I'll probably come up with one or two cool scenes, but I won't have a full fledged story. I can't tell you where my story ideas come from. They hit me when I'm not expecting it. Now, that's not to say that all of these random ideas wind up as finished stories, but they do stay with me a lot longer.
Usually when I get one of these out of the blue ideas, within a couple of hours I'll just have to write some of it down. So I jot some notes down, and by doing that some new ideas will come to me, or I'll work out some kinks or inconsistencies that have already arisen.
TV is my favorite medium, so most ideas come to me as an idea for a TV series and my planning will reflect that. I often break up my ideas into parts, episodes, arcs, etc. depending on which stage of planning I'm at and how many ideas I have. However, while TV is my favorite medium consumption-wise, prose is by far my favorite to write. Once I have a lot of ideas down and I think I have a solid notion about what I want to do, then I have to look at it all and decide how I want to tell that story: through prose, or through scripted episodes. (Very rarely do I have an idea that makes me think, Oh! That'd be a great movie! I think that's just because I have a hard-on for good cliffhangers, and TV allows for more of those.)
If my answer is prose, then I start by handwriting the story. I find writing on the computer to be incredibly distracting whenever I'm first starting out. Unless it's a short story, though, I don't typically write the entire thing by hand, simply because I hate the transferring phase from paper to computer. So at some point, I do switch over and start writing via the computer.
If my answer is to do a TV series, then I tend to do more planning. With a prose piece, I'm a little more comfortable with finding my way and learning new things about the story/characters as I go. With a TV series, I like to kind of plan out the number of episodes I want to do and what I want to accomplish in each one. Pilots are exciting, but I tend to have stories with slower builds to them. I know that the good stuff won't be coming for another few episodes down the line, so I have to work hard to really make that pilot as interesting as I can. Also, I don't really do much handwriting for this option. I might map out my planning/ideas/whatnot on paper, but I pretty much just head to Celtx and start writing.
Unfortunately, a lot of my writing attempts don't make it past the second or third paragraph up there. In which case, I have notes sitting around for a story I haven't started, yet it still eats at my brain quite often.
So now it is your turn. GO!